Excellent; I'm getting a picture of the tide that swept over the continent, White's book is a wonderful "101" regarding the American expansion west into the Rockies. This is a story about the Mountain man; the Original Mountain Men of the Rockies. I am very happy to have found this and hope to move on to other White stories. It literally takes off from the D. Boone Bio. I finished prior to my workshop.
Like our hero Andy, the story leaves me a little sad.
So the Brits had the Northwest, the Mexicans had the Southwest, and
the Americans had the middle, we all know how it turned out.
I guess if it wasn't land that was "free for the taking" it was beaver. And freely they took it, although not without hardship, but still free for the taking. We venerate these men for public and private reasons; what they did was hard and when they survived year after year doing it we are amazed and can only hope or wish we had that kind of fortitude.
So although this was written in the 1930s and I am devoted to the 1830s writers White seems to be from the earlier time. I have lost much interest in the "modern" writers and their sardonic views.
I found a 1st Edition 3rd printing in Xenia Oh. at the stunning Blue Jacket Bookstore on my way to my Flintlock making workshop.
The inside covers outline some of their stops along the way.
White spent time in the wilderness of the early 1900's and seems to know his stuff. He provides many details about life in the mountains. He researched hundreds of early documents to achieve the level of historical accuracy he needed for this Historical Fiction.
A little of White's wisdom that I like:
"He did, however, gain by this experience the knowledge that things pass; and nothing is more quickly forgotten than discomfort"
"No administration can be over-set in prosperous times: no administration can stand in adversity: even miracles can loose the potency of novelty"
"Andy was cursed by the necessity of taking the other mans view; he could not help it"
Only and older man can write with this wisdom-air.
During the winter of 2009 I started back into reading on a daily basis. I am reading the classics and some of the background history that illuminates them. My favorite period is the early 1800's
Tuesday, May 24, 2016
Thursday, May 19, 2016
Frontiersman: Daniel Boone and the Making of America by Merideth Brown (2008)
In preparation for my upcoming Flintlock making workshop I decided to get into the proper frame of mind.
I went with a more modern publication because the older stuff is reported to have a lot of myth sprinkled in. Lots of good illustrations of rel event documents.
This version is a little plodding but an historical outline can be that way.
With this however one is able to begin to piece together the American psyche at it's core or at least at it's beginning.
Maybe our fascination with winning the lottery, the robber barrons, discovery, individual dreams, even "finders - keepers" etc. comes from the earliest settlers / immigrants.
These people were keenly aware of the very simple concept of buying land cheap, getting people to move into an area and selling bits off at a time.
This included George Washington and any one with money; all you had to do is "settle" it. by means of buying it or taking from the Indians.
Not that complicated but not that easy. Boone was a skilled outdoors man and with fearless determination went into the wild. He was not successful in becoming rich during this part of the American land grab but everywhere he went people followed.
The American Myth:
America has had a never ending search for a Mythological beginning the earliest version seems to have begun with J F Cooper's fictional writings about a Boone like character named Hawkeye and his American made Rifle, the later version that sticks is O Wister's The Virginian.
Not sure who The Virginian was modeled after but Natty Bumpo was very Boone like.
Both of these fictional heroes take on the self reliant noble individual that is the ideal the hard working every man of America.
Saturday, April 23, 2016
The Scottish Chiefs by Jane Porter (1810)
An outstanding but tragic story; long fallen from favor The Chiefs is a gushing romance. With its many pages of truly over the top praises of Wallace's saint like attributes it can be a real eye roll.
The action scenes however are as compelling as any and completely make up for some of the more tedious parts.
A fictional history about the 1st Scottish wars for independence, the Scots seem to be in a never ending war with whomever decides they need to be concurred.
The Scots I think may have been a bit of an easy mark due to their general lack of unity and sophistication. This particular chapter in the History of their struggles starts with the naiveté of thinking that the truthful, honest, and benevolent Edward I (what the hell were they thinking?) had their best interest in mind when they called on him to mediate the succession to the throne after Alexander's carelessness led to his own death in 1286.
Ed had only one thing in mind, expansion, subjugation, and domination.
Having said all this the Scots are a unique and wonderful tribe that without which the world would be a lesser place. Obviously I enjoy the literary contributions of the Scots, and have added Jane Porter to my list. Our present day girls could add her to their list of originals when sighting the great but forgotten leaders of their sex.
This is a rather good condition 1875 printing from Philly.
The action scenes however are as compelling as any and completely make up for some of the more tedious parts.
A fictional history about the 1st Scottish wars for independence, the Scots seem to be in a never ending war with whomever decides they need to be concurred.
The Scots I think may have been a bit of an easy mark due to their general lack of unity and sophistication. This particular chapter in the History of their struggles starts with the naiveté of thinking that the truthful, honest, and benevolent Edward I (what the hell were they thinking?) had their best interest in mind when they called on him to mediate the succession to the throne after Alexander's carelessness led to his own death in 1286.
Ed had only one thing in mind, expansion, subjugation, and domination.
Having said all this the Scots are a unique and wonderful tribe that without which the world would be a lesser place. Obviously I enjoy the literary contributions of the Scots, and have added Jane Porter to my list. Our present day girls could add her to their list of originals when sighting the great but forgotten leaders of their sex.
Saturday, January 2, 2016
A Legend of Montrose by Sir Walter Scott (1819)
Back to Sir Walter, I believe this is one of his best, I finally got the answer to "where are the Scottish speaking charterers" although there isn't much there is more than any other of his books that I am familiar with.
This is a good story that moves along nicely, has lots of good charterers, and we learn a lot about the Highland v Lowland history.
I have a nice 1890's printing from New York.
The only reference to the printer is Trow's bookbinding for the Syndicate Trading Co.
The Dalgetty character is just great, a bombastic war veteran who's motivation is financial reward but his allegiance is on wavering (until the contract is up.) Really a fun part of the story.
The rest of the combatants are either very smart, very emotional, or very tragic.
Of course this is a story of one of the few success in the (endless) Scot's against the English.
The Children of the mist are a real thing, who new? But the understanding of the Scot & Irish lands and weather leads me to believe that in fact these peoples could have been living in a similar manner as when the Roman's got there.
Here is a little of the ancient rhetoric referances that I like:
In this passage Scott reinforces the opinion that many of us still maintain; Bagpipes are mostly horrid!
At length, however, as the black-cocks towards the end of the season, when, in sportsman’s language, they are said to flock or crowd, attracted together by the sound of each others’ triumphant crow, even so did the pipers, swelling their plaids and tartans in the same triumphant manner in which the birds ruffle up their feathers, begin to approach each other within such distance as might give to their brethren a sample of their skill. Walking within a short interval, and eyeing each other with looks in which self-importance and defiance might be traced, they strutted, puffed, and plied their screaming instruments, each playing his own favourite tune with such a din, that if an Italian musician had lain buried within ten miles of them, he must have risen from the dead to run out of hearing.
The poor Italian was awoken from the dead so he could flee further.
The 1600's saw the shift from swards, spears, and bows to the musket. Scott explains some of the issues surrounding these changes and how the world of war was effected.
Before that period, the Lowlanders were as constantly engaged in war as the mountaineers, and were incomparably better disciplined and armed. The favourite Scottish order of battle somewhat resembled the Macedonian phalanx. Their infantry formed a compact body, armed with long spears, impenetrable even to the men-at-arms of the age, though well mounted, and arrayed in complete proof. It may easily be conceived, therefore, that their ranks could not be broken by the disorderly charge of Highland infantry armed for close combat only, with swords, and ill furnished with missile weapons, and having no artillery whatever.
This is a good story that moves along nicely, has lots of good charterers, and we learn a lot about the Highland v Lowland history.
I have a nice 1890's printing from New York.
The only reference to the printer is Trow's bookbinding for the Syndicate Trading Co.
The Dalgetty character is just great, a bombastic war veteran who's motivation is financial reward but his allegiance is on wavering (until the contract is up.) Really a fun part of the story.
The rest of the combatants are either very smart, very emotional, or very tragic.
Of course this is a story of one of the few success in the (endless) Scot's against the English.
The Children of the mist are a real thing, who new? But the understanding of the Scot & Irish lands and weather leads me to believe that in fact these peoples could have been living in a similar manner as when the Roman's got there.
Here is a little of the ancient rhetoric referances that I like:
“By my honour, Allan,”
said Lord Menteith, “you will weary out your
friends with this intolerable, froward, and sullen
humour But I know the reason,” added
he, laughing; “you have not seen Annot Lyle to-day.”
“Whom did you say I had not seen?” said
Allan, sternly.
“Annot Lyle, the fairy queen
of song and minstrelsy,” said Lord Menteith.
“Would to God I were never to
see her again,” said Allan, sighing, “On
condition the same weird were laid on you!”
“And why on me?” said Lord Menteith, carelessly.
“Because,” said Allan,
“it is written on your forehead, that you are
to be the ruin of each other.” So saying,
he rose up and left the room.
“Has he been long in this way?”
asked Lord Menteith, addressing his brother.
“About three days,” answered
Angus; “the fit is wellnigh over, he will be
better to-morrow. But come, gentlemen, don’t
let the tappit-hen scraugh to be emptied. The
King’s health, King Charles’s health! and
may the covenanting dog that refuses it, go to Heaven
by the road of the Grassmarket!”
Aye, the "Grassmarket"
The MacEugh as a Highland outlaw so tragically causes the death (by hanging) of all his sons and yet has a redemptive side (however small) that we come to in the end.
In this passage Scott reinforces the opinion that many of us still maintain; Bagpipes are mostly horrid!
At length, however, as the black-cocks towards the end of the season, when, in sportsman’s language, they are said to flock or crowd, attracted together by the sound of each others’ triumphant crow, even so did the pipers, swelling their plaids and tartans in the same triumphant manner in which the birds ruffle up their feathers, begin to approach each other within such distance as might give to their brethren a sample of their skill. Walking within a short interval, and eyeing each other with looks in which self-importance and defiance might be traced, they strutted, puffed, and plied their screaming instruments, each playing his own favourite tune with such a din, that if an Italian musician had lain buried within ten miles of them, he must have risen from the dead to run out of hearing.
The poor Italian was awoken from the dead so he could flee further.
The 1600's saw the shift from swards, spears, and bows to the musket. Scott explains some of the issues surrounding these changes and how the world of war was effected.
Before that period, the Lowlanders were as constantly engaged in war as the mountaineers, and were incomparably better disciplined and armed. The favourite Scottish order of battle somewhat resembled the Macedonian phalanx. Their infantry formed a compact body, armed with long spears, impenetrable even to the men-at-arms of the age, though well mounted, and arrayed in complete proof. It may easily be conceived, therefore, that their ranks could not be broken by the disorderly charge of Highland infantry armed for close combat only, with swords, and ill furnished with missile weapons, and having no artillery whatever.
This habit of fight was in a great
measure changed by the introduction of muskets into
the Scottish Lowland service, which, not being as yet
combined with the bayonet, was a formidable weapon
at a distance, but gave no assurance against the enemy
who rushed on to close quarters. The pike, indeed,
was not wholly disused in the Scottish army; but it
was no longer the favourite weapon, nor was it relied
upon as formerly by those in whose hands it was placed;
insomuch that Daniel Lupton, a tactician of the day,
has written a book expressly upon the superiority of
the musket. This change commenced as early as
the wars of Gustavus Adolphus, whose marches were
made with such rapidity, that the pike was very soon
thrown aside in his army, and exchanged for fire-arms.
A circumstance which necessarily accompanied this
change, as well as the establishment of standing armies,
whereby war became a trade, was the introduction of
a laborious and complicated system of discipline, combining
a variety of words of command with corresponding operations
and manoeuvres, the neglect of any one of which was
sure to throw the whole into confusion. War therefore,
as practised among most nations of Europe, had assumed
much more than formerly the character of a profession
or mystery, to which previous practice and experience
were indispensable requisites. Such was the natural
consequence of standing armies, which had almost everywhere,
and particularly in the long German wars, superseded
what may be called the natural discipline of the feudal
militia.
The Scottish Lowland militia, therefore,
laboured under a double disadvantage when opposed
to Highlanders. They were divested of the spear,
a weapon which, in the hands of their ancestors, had
so often repelled the impetuous assaults of the mountaineer;
and they were subjected to a new and complicated species
of discipline, well adapted, perhaps, to the use of
regular troops, who could be rendered completely masters
of it, but tending only to confuse the ranks of citizen
soldiers, by whom it was rarely practised, and imperfectly
understood. So much has been done in our own
time in bringing back tactics to their first principles,
and in getting rid of the pedantry of war, that it
is easy for us to estimate the disadvantages under
which a half-trained militia laboured, who were taught
to consider success as depending upon their exercising
with precision a system of tactics, which they probably
only so far comprehended as to find out when they were
wrong, but without the power of getting right again.
Neither can it be denied, that, in the material points
of military habits and warlike spirit, the Lowlanders
of the seventeenth century had sunk far beneath their
Highland countrymen.
The citizen soldier is not a full fighting machine, and as such the musket was the weapon of choice.
Sunday, November 29, 2015
The Ancient Mariner & Christabel by Coleridge (1800)
Found this 1907 printing that includes The Mariner, Christabel, Kublai Khan.
The mariner was no big deal but I really liked Christabel!
The Christabel poem is beautifully written, it just flows of the tongue.
I didn't bother with Kublai Khan because after the disappointing (abrupt) ending on Christabel and researching Coleridge's inability to finish just about anything I decided enough was enough.
He lived near Wordsworth and his wife so there is an interesting real life story here.
The lesbian overtones in Christabel are delicately rendered.
The mariner was no big deal but I really liked Christabel!
The Christabel poem is beautifully written, it just flows of the tongue.
I didn't bother with Kublai Khan because after the disappointing (abrupt) ending on Christabel and researching Coleridge's inability to finish just about anything I decided enough was enough.
He lived near Wordsworth and his wife so there is an interesting real life story here.
The lesbian overtones in Christabel are delicately rendered.
Thursday, November 19, 2015
The Canterbury Tales by Chauser (1478) Illu. Rockwell Kent
Wow, a difficult read; maybe a different translation would have helped but I doubt it.
Some parts are simply slow and tedious, and I have read some tedious stuff!
I still like the Candide Kent renderings the best but I now have a small collection of books illustrated by him.
There are however some outstanding life lessons in several of the tales, others are just sophomoric humor.
In general the prose is rarely enjoyable, however there are a few very good portions.
I especially like The Manciple's tale; regarding your closest friend's Love interest you must keep your advise to your self.
The Parson's "tale" is simply unbearable, I could not help but skim thru it, something I never do.
The Summoner's Tale illustrates that the hypocrisy of the clergy was as prevalent then as now.
Some parts are simply slow and tedious, and I have read some tedious stuff!
I still like the Candide Kent renderings the best but I now have a small collection of books illustrated by him.
There are however some outstanding life lessons in several of the tales, others are just sophomoric humor.
In general the prose is rarely enjoyable, however there are a few very good portions.
I especially like The Manciple's tale; regarding your closest friend's Love interest you must keep your advise to your self.
The Parson's "tale" is simply unbearable, I could not help but skim thru it, something I never do.
The Summoner's Tale illustrates that the hypocrisy of the clergy was as prevalent then as now.
Monday, August 24, 2015
The African Queen by C. S. Forester (1935)
Well the movie has a substantially better ending than the book.
But Rose is a much stronger woman in the book, has lots of internal dialog, and the narrator adds much more too than in the movie, thus making her far more interesting.
Actually Kate could have played her just as written, she had played many strong and resourceful women, but I guess the producers wanted a more post war "wife"? But you can always tell when you are in the middle of a John Houston movie; it just moves from scene to scene; not a minute wasted. Bogart is amazing; his facial expressions are brilliant!
I think we have to remember that writing in the 30's was beginning to experiment a little more on the racy side; and so the character became something that would have been unthinkable in the previous century.
When finally on her own out from under the men of her own family Rose comes into her own for the first time in her life. She however understands how men work and how to manipulate them too. Charlie is a man that needs a mission, direction, and a goal, that's all. He is a capable man that can make, fix, & repair anything. In the 30's he would be the equivalent of today's twenty something that can do anything with any media devise.
Got this cool 1st ed. from Abe.
This was my first Forester foray, and I have to say that it seems like he simply got tired at the end and threw the manuscript on the floor, "done." Without the brilliance of the movie ending it is a let-down. The reading is quick and easy and makes a great companion to the movie.
Passages I like:
Forester describes Rose' approach to the next rapid. "where the hand had to be steady and strong and subtle and the will resolute."
Rose' take on "men." "She could not conceive of a man finding anything impossible in his world, as long as he was not bothered, and given plenty to eat."
The naivete of Rose is described as such: "She did not yet know she could scold; she had never tasted the sweet delights of giving rein to ill temper."
Here we get Forester's German jab: "Allnutt's contact with the German nation had been unfortunate; the Germnas were a race it was easy to hate if hatred came easily, as it did in those days."
Forester is writing while looking directly into the teeth of the Nazi raise to power.
But Rose is a much stronger woman in the book, has lots of internal dialog, and the narrator adds much more too than in the movie, thus making her far more interesting.
Actually Kate could have played her just as written, she had played many strong and resourceful women, but I guess the producers wanted a more post war "wife"? But you can always tell when you are in the middle of a John Houston movie; it just moves from scene to scene; not a minute wasted. Bogart is amazing; his facial expressions are brilliant!
I think we have to remember that writing in the 30's was beginning to experiment a little more on the racy side; and so the character became something that would have been unthinkable in the previous century.
When finally on her own out from under the men of her own family Rose comes into her own for the first time in her life. She however understands how men work and how to manipulate them too. Charlie is a man that needs a mission, direction, and a goal, that's all. He is a capable man that can make, fix, & repair anything. In the 30's he would be the equivalent of today's twenty something that can do anything with any media devise.
Got this cool 1st ed. from Abe.
This was my first Forester foray, and I have to say that it seems like he simply got tired at the end and threw the manuscript on the floor, "done." Without the brilliance of the movie ending it is a let-down. The reading is quick and easy and makes a great companion to the movie.
Passages I like:
Forester describes Rose' approach to the next rapid. "where the hand had to be steady and strong and subtle and the will resolute."
Rose' take on "men." "She could not conceive of a man finding anything impossible in his world, as long as he was not bothered, and given plenty to eat."
The naivete of Rose is described as such: "She did not yet know she could scold; she had never tasted the sweet delights of giving rein to ill temper."
Here we get Forester's German jab: "Allnutt's contact with the German nation had been unfortunate; the Germnas were a race it was easy to hate if hatred came easily, as it did in those days."
Forester is writing while looking directly into the teeth of the Nazi raise to power.
Subscribe to:
Posts (Atom)